by Nancy Toff
Published by Oxford
Softcover book; 538 pages
Features
- This third edition has been updated to reflect new scholarship on baroque literature, advancements in technology, manufacturing refinements, and recent developments such as the contrabass flute and quarter-tone flute
- Features an extensive repertoire catalog of both solo and chamber works, thoroughly updated to include new repertoire and new editions
- Includes detailed information on all aspects of performance as well as a history of the flute and its literature
New to this Edition:
- Updated to reflect technology’s advancements
- Updated repertoire catalog
- Accounts for new scholarship on baroque flutes
- Addresses recent developments like those of the contrabass flute, quarter-tone flute
- Updated manufacturing refinements, experiments, purchase prices for flutes
- Table of Contents:
- THE INSTRUMENT
1. The Flute Today
What Is a Flute? / Manufacturing: The State of the Art
2. How to Choose an Instrument
To Rent or To Buy / Setting Priorities / Materials / Open or Closed Holes / C or B Footjoint / Mechanical Options / Testing an Instrument
3. Care and Maintenance of the Flute
Preventive Maintenance: Assembling the Instrument / Daily Cleaning / Storage / Polishing / Replating / Lubrication / The Headjoint Cork / Mechanical Problems
4. A Brief History of the Flute
Old System Flutes / The Boehm Flute / Other Nineteenth Century Flutes / Minor Modifications to the Boehm System
5. The Flute Family
The Piccolo / The Alto Flute / The Bass Flute / The Contr’alto, Contrabass, and Subcontrabass Flutes / The Flute ChoirPERFORMANCE
6. Breathing
Posture / Inhalation / Suspension / Exhalation / The Diaphragm / Exercises / Breathing and Phrasing / Circular Breathing
7. Tone
The Acoustical Basis / Tone Production / Focus and Projection / Homogeneity of Sound / Interpretation through Tone Development / Intonation / National Styles of Flute Playing
8. Vibrato
What is Vibrato? / The History of Vibrato / The Uses of Vibrato
9. Articulation
The Bowing Analogy / Single-Tonguing / Double-Tonguing / Triple-Tonguing / Flutter-Tonguing / Tongueless Attack / Legato / Note Endings / Practice
10. Technique
Position / Practice / Fingering / Harmonics / The B-flat Thumb Key / Three Fingering Tricks
11. Style
Virtuosity and Interpretation / The Theoretical Background: Basic Musicianship / Analysis / Phrasing / Performance Practice / The Early Music Movement and Questions of Authenticity
12. Performance
Opportunities for Performance / Planning a Recital Program / Accompanists and Assisting Artists / Choosing a Recital Hall / The Printed Program / Publicity / Preparation and Rehearsal / Stage Protocol / The Entrance / Playing the Program / Memorization / Breaks between Pieces / Encores
13. Recordings
Building a Recording Collection / How to Listen / Playing Along / Making Your Own RecordingsTHE MUSIC
14. The Baroque Era
Flute Versus Recorder / Musical Forms / France / Italy / England / Germany
15. The Classic Era
Musical Forms / Paris / Germany / Spain / England / Vienna
16. The Romantic Era
Music by Nonflutists / Music by Flutists
17. The Modern Era
France / Great Britain / Elsewhere in Western Europe / Eastern Europe / The United States / The Avant-Garde / The Flute and ElectronicsREPERTOIRE CATALOG
Introduction
A. The Baroque Era
B. The Classic Era
C. The Romantic Era
D. The Modern Era
E. Study MaterialsAPPENDICES
A. Fingering Chart for the Boehm Flute
B. Flute Manufacturers
C. Repair Shops
D. Sources for Instruments and Accessories
E. Sources for Music and Books
F. Journals, Societies, and Service Organizations
G. Flute Clubs and SocietiesNotes
Selected Bibliography
Index





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