Andante in C (K315/285e)

Andante in C Major (K315/285e) for Flute and Orchestra by W.A. Mozart
Arranged for Flute and Piano, with Piano reduction based on the Urtext of the New Mozart Edition by Martin Schelhaas
URTEXT Edition with cadenzas by Rachel Brown, Karl Engel

The authoritative performing edition:

• new easy to play keyboard reduction
• flute part with the Urtext of the New Mozart Edition
• with cadenzas by Rachel Brown and Karl Engel
• includes valuable tops on how to improvise a Mozart cadenza

This edition of based on Franz Geigling’s edition as found in the New Mozart Edition. In the present arrangement for flute and piano, the flute part is unchanged and thus identical with the version in the New Mozart Edition. Editorial corrections and additions are indicated in this part as follows: letters (words, dynamics, trill signs), and digits by italics; main notes, accidentals before main notes, dashes, dots, fermatas, ornaments and rests of lesser duration (half-note, quarter-note, etc.) by small print, slurs by broken lines; appoggiaturas and grace notes by square brackets. All digits used to indicate triplets and sextuplets appear in italics, with those added by the editor set in a smaller type. Whole note rests lacking in the source have been added without comment. Mozart always notated isolated sixteenths, thirty-seconds and so forth with a stroke through the stem. In the case of appoggiaturas, it is thus impossible to determine whether they should be executed short or long. In such cases, the present edition prefers in principle to use the modern equivalents. Where an appoggiatura represented in this manner is meant to be short, a slash through the stem has been added above the note concerned. Slurs missing between the note (or group of notes) of the appoggiatura and the main note have been added without special indication, as have artictulation marks on grace notes.